Saturday, September 9, 2017

Starward Tales II


Starward Tales II: Another Anthology of Speculative Legends by [Droege, CB]A new anthology is out! I have a story in Starward Tales II.  The theme is legends and folk tales set in space. You can find it here https://www.createspace.com/7540156 or here . "The Signal" is about a convoy ship receive a distress call that sounds like a Grimm's Fairy tale.  The e-book is cheep plus I will have copies.  Check it out.

Tuesday, August 22, 2017

Read female authors

I found this great quote from The Importance of Reading Women. I even toned it down so check the link for the full version.
"Women writers could acknowledge that society treated their male counterparts differently. That there was something quietly suffocating about growing up as a woman because there were very specific expectations about what you ought to being doing with your life and your body. Male authors had the privilege of not having to discuss sexism either because they were unaware of it or took it for granted."  and
"The greatest statement a female author can make, and so many female authors have made it, is simply to write the way women actually are. Katniss Everdeen and Hermione Granger don’t need to constantly discuss the pangs of womanhood, yet they still manage to subvert sexist expectations because they are smart, capable and heroic."
As a campaign I started the hashtag #publishwomen but it should also include read and buy books by women, review women, award women, include women.

Monday, August 14, 2017

The Year of Publishing Women

It has come to my attention that there is not enough awareness on The Year of Publishing Women.  I did a presentation at When Words Collide last weekend and I realized more needs to be done. So for the next while I will be posting parts of the presentation.  If you want the entire thing just ask and I will send it to you.  Share it within your sphere of influence: your librarians, your publishers, your book shop owners and your readers. We want all areas of the literary community to support female authors in the year 2018.  Publish them, purchase them, review them, recommend them.
The literary establishment doesn’t like books about women. Why not? Women are more than half our culture. If half the adults in our culture have no voice, half the world’s experience is not being attended to, learnt from or built upon. Humanity is only half what we could be.  We don’t question that cultural bias when it comes to judging prizes. I’m not saying people are prejudiced, but we have innate biases. And women can be just as bad, sometimes even worse, than men for this, and it will translate into every aspect of the judgments we make.”

Why does this shocking disparity exist, even though there are many women judges? It’s not anything to with who is judging. It’s about the culture we’re embedded in and that’s embedded in us all of us, women and men.  - Nicola Griffith

Sunday, July 23, 2017

Some photos came back from Word on the Lake!
I spent a great weekend with my daughter, making friends and presenting some steampunk poetry.Photo:
Photo:
me and Sheri-D!
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Monday, February 27, 2017

Author adds steampunk to writers festival

Article from the Salmon Arm Observer:
 “Steampunk was a world I thought I invented,” says Lilburn, who favours writing about the implications of alternate dimensions. “When I was going through my dimensions, I thought there needs to be a world where there is no electricity, everything is powered by steam.”
Lilburn did some research and was immediately attracted to her discovery of this very different steampunk culture that was already online and in movies.
“At the time science was really leaping forward and Queen Victoria favoured science. Think if that would have progressed in a different direction, it could have been airships and laser cannons.”
Lilburn became a published author at 40, after she became comfortable with who she is.
“I was one of those people who had an imagination that went a little bit too far and was always told I had to rein it in, that I was too bizarre,” laughs Lilbur who, while enjoying the Shakespeare she learned in school, had a lot of fantasies about dragons and unicorns – a lot of fighting monsters travelling through crazy magic.
“I remember giving my teacher one of my stories outside of class and she said ‘this is not my style, I don’t know how to get into this.”
Lilburn describes high school years as a really dark time for a lot of people and explains her therapy was writing poetry and art in an attempt to reach out to people to get their attention with what she was doing.
As an adult, she began writing what she thought readers would accept.
“I thought I had to, then I kind of realized it was boring and I knew how I could make myself happy where other people couldn’t, and I started writing the craziest stuff I could,”
“I firmly believe in haunting, the supernatural,” she says. “I think I would prefer fiction to reality; when people try to get you to believe in real ghosts, it’s not as compelling as what’s in people’s imagination.”
Her audience is primarily teenagers, a time, she says, when people want to discover their passion and the path forward.
“I think the reason I am so involved in this is because I didn’t find it fast enough; I was told not to (discover) and there wasn’t room to experiment.” 
Her workshop will be “What the punk?” an exploration of steampunk history, its origin and how to apply it to every genre of writing.